Origins: Beltane (Bright Fire) or May Day is the first day of summer, and once marked when cattle were taken to pastures to graze after being blessed with protective bonfire smoke. In later agricultural societies, when people leapt over bonfires, the height of their leaps were supposed to forecast the height of crops. While a German farmer's calendar of 1493 shows all other months of the year illustrated by hard-working farm folk, May alone represents luxuriating lovers: a man attentively plays a lute to a bare and bathing woman. Beltane especially celebrated love, attraction, courtship and mating--that yearly groundswell of desire we know as "spring fever." Long before our current high school prom king and queen, villages elected a young, attractive couple to represent the King and Queen of the May, also known as John Thomas and Lady Jane. Folk danced around the May pole, the skyward symbol of life; they gathered flowers and spent nights together under the stars in the forest.
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At last I found the herbal garden circled by roses! Set in a lover's knot design from the Middle Ages, all fragrant herbs within its' borders: verbena, lemon balm, fresh shoots of new lavender, comfrey, sage, rosemary, thyme, angelica, with honeybees hovering and humming, gathering pollen from the Queen Anne's lace and full blown pink and yellow and red roses all around me. In this garden the fragrance and warmth makes the very air dreamy and yet growing, alive everywhere, as if everything is buzzing under the surface, the life blood rushing through every stalk and blade of grass.
Here was the gardener: an energetic young man with an open, interested and well-humored face wearing green overalls, a green flannel shirt, green wading boots--so dressed in green I could swear his beard was half made of vine and leaf! His friend, a fresh-faced young woman in a pink and green floral dress, with red stones at her throat and ears made me welcome, and they together offered to tour me around about this remarkably fertile and gorgeous countryside.
But I felt the air between them crackling with electricity, and it looked as if they'd like to be alone as they regarded eachother with a certain shy hunger, their fingers entwined. I assured them I’d like to wander by myself awhile--were they relieved? I thought of Colette writing, "There'll be lovemaking tonight!" as I moved on, and when I looked over my shoulder, together they rushed away holding hands, in a swirl of giddy heat.
B l e s s e d B e e s,
and the M i l k y W a y
The Cow
The friendly cow, all red and white,
I love with all my heart:
She gives me cream with all her might,
To eat with apple tart.
She wanders lowing here and there,
And yet she cannot stray,
All in the pleasant open air,
The pleasant light of day.
And blown by all the winds that pass
And wet with all the showers,
She walks among the meadow grass
And eats the meadow flowers.
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Beltane is the time of milk and honey, the primary Pagan time of pleasure, of blossoming and blooming, of desire and satisfaction, so the cow and the bee are both significant symbols of the Goddess at this important celebration. The cow's miraculous ability to create great amounts of milk for calf and folk mirrors the wonder of woman's breast-feeding of children. The beauty of Goddess/all women's milk-giving to the infant is vividly illustrated by various Renaissance paintings of Mary tenderly nursing baby Jesus. And the bee's creation of honey, until only the last two hundred years the sweetest food on earth, its' scientific explanation involving flower pollen and enzymes not understood until the late 19th Century, was likewise absolutely magical.
The symbol of the cow's horns is related to the Earth Mother, the Milk-Giver, in the majority of cultures. Egypt's Isis wears a headdress of the moon embraced by cow's horns; while Hathor is the heavenly cow, whose sprinkling of milk created the night stars: the Milky Way. The cow's Horn of Plenty, the cornucopia, was a Roman symbol for the all-giving, fertile Earth Goddess; and remains a symbol of thanks-giving. Norse Audumla, the cow, is the creator of the world. One important find from the Marija Gimbutas archeological excavations is the clay figure of a cow's head and horns, inscribed with bees. This figure is remarkable for its resemblance to woman's center of reproduction: the uterus, fallopian tubes and ovaries. Interestingly, the poet Meredith Stricker confirms in her poem, Bee Mother, that the root Hungarian words for mother, anya or méh can all be found in some form in the words for bee, womb, uterus, to conceive, hive, bee sting, queen bee, cervix, fruit of the womb, apiary, embryo, bee swarm, fetus, and many more similar definitions. And in Lithuania, the ancient feminine art of divination was done by pouring beeswax into water and interpreting its' shapes.
Bees and honey and gold have long been associated with the Goddess, as symbols for harmonious labor and industry, modesty, royalty and deserved blessings or favor. European apiarists believed bees were keepers of morality, and that virtuousity was required for the production of honey, so bees would never produce unless the keeper was honest and good.
Fighting, stealing and lying resulted in an abandoned hive. One attracted bees to a hive in many ways, like letting a sow (Goddess symbol of necessary death-bringing and a following regeneration of fertility) eat from an empty hive, then rubbing the inside hive with fresh flowers. In both of these folkways survive the traces of connection between the hive as place of sweetness, as life-giver, as symbol of the uterus.
Like many other insects, bees also symbolize immortality and longevity: the Frankish King, Childric the First, was buried with three hundred golden bees. Likewise, the ancients used beeswax and honey to preserve the dead. In German lore, bees came to earth from an underground paradise where they live with the fates; and mead--liquor made from fermented honey--brings the gift of prophesy and song. The infant Zeus was nourished by bees in the Goddess' cave. In Greece, Aphrodite's temples were maintained by priestesses known as the melissae, the "bees." The Indian God Vishnu is often seen as a blue bee sitting on the lotus blossom, which represents the Goddess. In Christian legend, bees were created by Christ's tears, and this stems from the Norse Goddess Freya, whose very tears are made of gold. Babylonians built temples on ground consecrated by honey, and Peruvians offered honey to the sun. A newborn baby in India is offered this blessing:
I give thee this honey food so that the Gods may protect thee and that thou mayest live a hundred autumns in this world.
Beltane is a significant festival in the folk calendar and is celebrated with honey, oats (sow your wild ones) and dairy foods. The reasons for this are clear when searching for symbols for the altar for Beltane: look to the cow and the bee as images of the Goddess, from the miracles of milk and honey they create. Blessed Bee!
Traditional prayer for buttermaking
Thank you, pretty cow, that made
Pleasant milk, to soak my bread;
Every day, and every night,
Warm and fresh, and sweet, and white.
Do not chew the hemlock rank,
Growing on the weedy bank,
But the yellow cowslips eat,
They will make it very sweet.
Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there and dine.
Ann and Jane Taylor
Zeus, King of the Gods, wandered by a blossoming meadow one day and met a lovely woman named Io. Zeus was accustomed to falling in love very easily, and he greatly admired lovely Io. A good listener, she was big-boned and placid, slow moving with big brown eyes. She loved the way he could tell stories, so they whiled away many hours together, flirting and lazing about in the course green grasses of the meadow.
Now Zeus was afraid of his great Goddess wife, Hera. He feared she might become jealous when she found out about Io. Though, truth be told, Hera had plenty of things to do without worrying about who Zeus was infatuated with. Even so, Zeus used his magical powers and turned Io into a milky white cow lest Hera see them together. Feeling guilty at the manipulative thing he had done, Zeus felt sad when he saw Io having to eat the rough grasses of the meadow.
He created a new flower to grow all over the meadow. A tiny, sweet smelling flower with creamy white and purple petals that reminded him of her. Ever since that time, that royal flower--the violet--has been especially tasty to cows, growing all over meadows where they graze.
The L o v e r s and
G r e e n M a n as Robin Hood
Edward Burne-Jones, 1885
Come all ye lads and lassies
Join in the festive scene
Come dance around the maypole
That will stand upon the green.
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On thousands of churches and civic buildings throughout Europe, a fragment of our past survives as architectural ornament. This element, across miles and through countries, shares the same features: a male figure whose face sprouts and grows leaves and fruits, vines and plants: all of growing life. He is variously known as the Green Man, Jack in the Green, Robin Hood, The Man in the Oak or King of the May, among other names. With very little surviving literature defining him, he is nevertheless known as the foliate deity who sparks life and with love, fertilizes the Earth Mother to fruition every spring. William Anderson writes in Green Man: The Archetype of Our Oneness with the Earth, "The Green Man, as a composite of leaves and a man's head, symbolizes the union of humanity and the vegetable world. He knows and utters the secret laws of nature."
The story of Robin Hood, Robin Goodfellow, Robin the Bobbin or Robin of the Green is a pagan story of rebellion and heroism, which combines elements of myth and reality. According to Barbara Walker, Robin Hood was a real man--or a composite of men--in the 1300's who led pagan circle groups in Sherwood Forest. Robin's strongly pagan name connotes the little or "fairy" people--indeed, he himself was supposed been fathered by the King of the Fairies.
Walker writes, "Pagan gods and goddesses, tribal ancestors, and those who worshipped them all became "fairies" in the traditions of France, Germany and the British Isles." There is also evidence to suggest fairies' legendary petiteness was a genetic reality. European pagans were the original, physically small, native tribes before the larger boned, taller warrior tribes of the north and Romans to the south invaded their lands. Tony Van Renterghem illustrates that native people stood between 4' 8" and 5 feet tall, while the barbarian tribes often reached a height of 6' 4". Stonework survives which shows Romans conducting rituals with such long haired, little folk, their dimunition apparently exaggerated, so illustrating the Romans' condescension toward them. "Fairy" or "fey" defined these pagan people--those words later associated with winged plant devas or spirits--even as the little people intermarried with the invaders. The folk were known to live in harmony with nature in the forest, deifying trees and natural sites. They often lived in hollowed mounds of earth, knew the lay of the land intimately, and wearing all green, seemed to their opponents to be able to blend in with the scenery and magically disappear. Rebelling against their invaders and the new, enforced monotheism, they apparently waged very clever, guerilla self-protection, legends of which survive today in tales about tricky and manipulative "fairies."
Remember that Robin Hood lives in the forest, wears all green, and his tribe is seemingly invisible and unbeatable on their own turf. His people work together in absolute harmony to protect their way of life. In myth, Robin and his band were a metaphor for the spirit or energy of the woodland itself, and expression of the solidarity of the pagan people and their Green Man deity. The real Robin, writes Walker, "...defended unspoiled land against the encroachment of towns. In country districts, each village set aside a plot of raw woodland, which was not to be disturbed, because it belonged to the Goodfellow, or the Good Man." This establishes Robin in the tradition of the Green Man, a protector and caretaker of the environment.
Robin rescues the Maid Marian from those who would abuse her: a powerful alliance between a greedy nobleman and a corrupt church. This connection to Marian contains the theme of courtly love, a religio-mystic belief in the sacredness of love and equality between man and woman that returning Crucades' soldiers learned from North African Tantric traditions. With Maid Marian as a pagan symbol of the earth goddess, (indeed, her name relates to the Goddess Maerin and the Saxon Mary, Mother of the Grove) the Robin Hood story may be a prophetic or traditional myth about the Green Man saving the Goddess from threatening institutions, and merging with her again to renew the magic of nature.
Robin and his Merry Band also take from the rich to give to the poor. In a balanced state, pagan life of the "fey" would have been productive and reasonably abundant: never easy, yet everything they needed would have come from the land. Once the church and the nobility joined forces to exploit the working people, however, their tax system resulted in such terrific impoverishment that surfdom--slavery--later resulted. While such institutions would have defined Robin as a criminal, the pagan people saw him as a hero, returning what had been stolen from them. So Robin Hood, as a face of the Green Man, not only symbolizes the inherent wealth in the natural world, but also illuminates his important ability to protect his people and to regain or rescue their birthright: a state of harmony and abundance in nature, free from the machinations of the new institutions.
We are aware of the horrors we face if earth's bounty continues to be wasted and spoiled without regard to the future. Green Man is a primal symbol of the renewal of nature, and protection of the environment. While the re-discovery of the Goddess gives girls many womanly role models and guides to aspire to, the Green Man's symbolic connection to the legend of Robin Hood is a significant archetype for boys to emulate--one which is not based on domination, conquest and separation from the earth. Green Man's embodiment of the growing natural world speaks to us all. Perhaps his image returns to earth just in time. As William Anderson writes,
When an image of great power such as the Green Man returns--as he does now in a new aspect after a long absence, the purpose of its return is not only to revive forgotten memories but to present fresh truths and emotions necessary for fulfilling the potentialities of the future.
About the Green Man:We do not only look at his leaves and blades of grass: we hear them singing and speaking to us; we touch and smell and taste his vegetation and his fruits. When an affection for a particular plant or tree is aroused in us we are linked through an emotional bond, more subtle and immediate than the effect of a scent, to the greater world of vegetation of which the plant or tree is a part. It is a deep, wise world, one to which we can only respond because we possess it in our own natures and in the instinctive symbolism of the soul; in the tree of life that forms the spinal column, in the roots of our feet and legs, in the branches of our arms, and in the flowering and fruiting of our thoughts and feelings in the crown of the head.
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Anonymous, 15th Century Japan
from As You Like It, William Shakespeare
H a n d c r a f t s of the M a y
Here is a fun May Day game similar to Duck, duck, goose. One child walks outside a circle of children and drops a hankie behind another child. Both race around the circle to take the empty place. The last one back is "it" for the next round.
Here is the traditional, English accompanying chant: (knots mean buds)
The Green Man, as protector and ultimate harmonious gardener is a brilliant ecological archetype to encourage in boys, who can be at a loss for nature-friendly role models in popular culture. Children might enjoy dressing as this spirit of nature, all in green, on May Day, or even dressing their dolls and soft toys in green and white costume.
Make your own Green Man paper dancer! Cut out a head and body shape in stiff green paperboard, two upper arm shapes, two forearm and hand shapes, two upper thigh shapes and two calf and foot shapes. Hook together with brass swivelling grommets (found at office supply stores) at shoulders, knees and elbows--to make a dancing figure. In varying shades of green paper or fabric, cut out a shirt, scarf, vest and the like for him, gluing on your chosen skin tone for his face and hands, if you prefer them to look less green. Draw on facial features. Hot glue on silk and paper leaves all around his costume, and perhaps green and gold/brown yarn for hair and beard. You might create a similar maiden wearing white and decorated with silk flowers and buds. Make a smaller figure (about 12 inches) and attach a straw to its back in order to make a simple puppet.
References to the greenwood, greensleeves and the green are all part of the Green Man's folklore legacy. You can make your own Green Man figure, a Mister Greenjeans, to guard the seedlings and flowers as they grow. He might be a topiary, completely covered with green vine, in the shape of a man. Or he could be a figure, like the scarecrow, a system of 2"X 4" planks screwed together in a human shape, then dressed all in green; with a growing planted pot for a head, rusted pronged spades for hands, and a piece of garden hose for a belt. Making a real Green Man figure will bring him to life!
E l e m e n t a l H o m e s c h o o l i n g
Along with the Green Man, Beltane is represented by a variety of Goddesses: Aphrodite, Maia, Xochipilli of Mexico, all sharing similar traits--love of beauty, flowers, Love between people, ornamentation and comfort, peace, and that all of nature is growing to be green and lovely and warm. East and the air element continue to influence this season. The air between people is heady with new things to share, learn and communicate, while the eastern dawn creates new possibilities for relationships. Now is the perfect time to seek friendships, alliances, get the word out and cooperate.
The knowledge that we all need each other and are interdependent is clear in the garden: bees pick up the pollen, their flights to each flower leaving off a bit of dust to pollinate fellow flowers and conceive the fruit. The bee creates sweet honey from the flower's pollen, and the flower reproduces via the bee.
People coming together and celebrating with warmth, happiness and fun--this is the central theme of Beltane! Engage in some core experiences at Beltane: dance the spiral or around the May pole, get hands in the soil to plant seedlings, make yourself beautiful, sweet-smelling and renewed through a ritual bath, surround yourself with the colors of all of life. This is a time for physical enjoyment, but also care and renewal of one's body, and so mirrored by the earth's body. Within old/new holistic medicine, strength and sensuality, healing and challenge and pleasure are intertwined. There is no separation of the body and mind and emotion, the Goddess tells us. Consider the birds and the bees, and discuss self-esteem and sexuality with children. Teach them to love their bodies and trust their instincts and senses. Go within to deal with any issues holding you back from experiencing life fully and sensually: whether it be about self-image and worthiness, limited ideas about beauty or inner judgement about sexuality and abandon of the season. Beltane is a feast for the senses and a celebration of the body!
Bring M a y Flowers
All the names I know from verse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.
Tiny woods below whose boughs
Fair are grown-up people's trees,
Fairy places, fairy things,
Fairy woods where the wild bee stings,
Tiny trees for tiny dames--
These must all be fairy names!
Shady fairies weave a house;
Tiny tree-tops, rose or thyme,
Where the braver fairies climb!
But the fairest woods are these;
Where if I were not so tall,
I should live for good and all.
Robert Louis Stevenson
Young Basia sat at the edge of a grove of birch trees, tending her flock and spinning flax into linen thread. Suddenly there appeared before her a woman she had never seen, dressed in a filmy, daisy white dress, with a circlet of wildflowers crowning her flowing and lustrous hair.
"Do you like to dance?" the woman in white asked the girl.
"I'd like to dance the whole day," Basia confessed. "But I have yet to spin all this pile of flax."
"Tomorrow is another day," answered the woman.
"Yes, I can spin tomorrow," thought the girl. So she jumped right up and whirled together with the woman in dance. They danced so wildly, they laughed out loud with the joy of it. Yet so lightly that the grass was never trampled under foot.
When evening came, Basia guided her flock home but said nothing to her mother. The next day she determined to spin her share of flax, no matter what, at the same birch grove.
Again the woman in white appeared.
"Will you dance?" she asked.
"I can't," Basia replied. "I must spin all day long. My mother is bound to ask me about the flax."
"I will help you spin if only you dance with me," said the woman.
Once again they twirled and spun in a happy dance all day long. Then the woman waved her arms in magic, and! The flax was neatly spun into fine linen thread.
At end of day, Basia guided her flock home and gave her mother the thread, but said not a word.
The third day Basia the shepherdess returned to the birch grove, and there waited the woman in white.
They danced like they never had before, leaping and twirling, bending not a blade of grass, as light as petals scattered on the wind. At end of day, the magical woman spun the flax into thread again, and then reaching toward a birch tree branch, gathered some golden leaves and put them into the girl's apron.
"I have been pleased with our dancing," she smiled and instantly disappeared.
This time, when Basia returned home, her mother checked the linen carefully.
"You did'nt spin this, did you?" mother asked.
The girl then explained to her mother what had happened the last three days.
"It was the Wild Woman of the birch wood!" exclaimed her thrilled mother, "What a blessing."
"When she left, she gave me these birch leaves," said Basia with a laugh. But when she emptied her pockets, in silent wonder she found: the leaves were of pure gold.
The honoring of Kupala, the Slovakian midsummer fertility goddess, corresponds to Western European Beltane celebrations. Folks once engaged in ritual bathing, flower garland offerings to water, bonfire jumping, a birch pole cast to the sky and decorated with ribbons, and they ate many fancy dairy dishes in her honor. Other Slovakian Goddesses include white-wearing Poludnitsa, Goddess of the fields, and Polevoi, another field spirit Goddess who has green hair!



Good Morning, Mistress and Master, I wish you a happy day.
The dried round seed heads can be collected in the autumn to save for spring planting. Annual.
Perennial bush.
Alfred Lord Tennyson

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.....Legend has it that washing ones' face in the first dew at dawn on May Day will ensure everlasting beauty.
L i n k i n g
'Round the Maypole